The Smear
by Amanda Dettmann
Winner of the 2023 Peseroff Prize in Poetry
after Elizabeth Bishop
I plant her sterile watch
within my womb, lock my looking
inside her, half
inside me, her fingers
an ambitious fasting, married
and a mother.
She doesn’t break for lunch.
She hasn’t sweated so hard, ever.
Humming like the ocean’s peeling
surface, a firecracker whiffing
human prey—she loves me.
Her job: to make me love her
too. She hangs
her pearl earrings
before my cervix
like an ancient offering, shaky
and confident and distracted,
her glove-covered lilac nails
like the cotton balls in the glass
jar, softness laughing
throughout the room.
While her dirty blond hair breathes—
sighs, like a spinal cord
after home birth—
I think of the lady who smears
her—my gyno—every year,
our lineage the real inside
scoop, each witness to a ribcage
of sky, legs open
like deer eyes before a car
crash. A word is pulp fiction
until there’s a watcher. Mine,
she knows what I smell like,
what color my skin is
in the tiniest
of light-hidden places.
I want her
beatboxing nose freckles,
the waiting
room fish tanks in her wide
ears, and then I see
a silver necklace peeking
from underneath her lab coat
—if you could call it silver—
a name engraved, turning air
like a greenish spoon—
Lily, she moans,
dismantling her daughter
inside me, or reaching, or rocking her
with the giant yellow swab.
She can swim again.
She can brush her snarly hair
before bedtime.
The only flower in the room
is the past—a fastening,
fastening, fastening.
And I close.
Amanda Dettmann is a queer poet, performer, and educator who is the author of Untranslatable Honeyed Bruises. She earned her MFA in Poetry from New York University where she taught undergraduates and has received support from the Kenyon Review Writers Workshops and the Juniper Summer Writing Institute. Her work has been nominated for a Pushcart Prize by The Emerson Review, and she was one of two finalists for the Action, Spectacle contest judged by Mary Jo Bang. Dettmann's work has appeared or is forthcoming in FENCE, Peauxdunque Review, The Adroit Journal, Stanford’s Poetry Journal Mantis, and The National Poetry Quarterly, among others. Instagram: @manny_dettmann