by Harris Hayman


The first night we met, I climbed a tree
naked. Blunted the barb off a hook
and pushed it through my ear
like an apple. The horses raised their heads to the wind,
like it was nothing. Far out mountains
and calderas of the moon. I see you. Dark ships
destined for things the dead cannot imagine. Junky spaceships
setting down hard in the gutter with a great sucking sound, the trees
bowing sideways. Leaves and needles flying. Mountains
of laundry swept up into the air, hooking
wildly in little eddies against houses and sheds. Foul-smelling wind.
The exhaust of hoarding guilt ringing in my ear.
Half deaf, licked young by roman candle, I get real close to hear.
My physical response to music and conversation. Ships
jokeying for position. The soft conversation of wind
overhead in the trees,
the moon a silver hook
over Lucky Dog Mountain.
Remember? Sleeping in the trailer under a mountain
of ratty blankets. Your body a ship. Your ears
pink from the cold. The hooks
and rods, pointless in the blizzard. We are Shipwrecked.
Sad little pines peaking up through the snow. Smell of tea tree
and kerosene on the wind.
Single track above the treeline. Pink-faced. Switchbacks wind
endlessly. The glacier receding into the soft parts of the mountain.
A single pervasive green up until the last tree.
Fresh isolation. Fear.
The red sun bobbing like a warship,
under a net of morning stars that gleam like hooks.
I can turn anything into something it’s not. The uncontrollable hand hooks
meaning from image. Image from sound. In the eaves, wind.
Below me, nothing but air. Evening ships
a metaphor I steal to fatten myself. The bridge of details rearing
up like a colt in a field of lighting-black trees.
The hook in my heart bleeding while I follow its line to the top of the mountain.
Hot wind in my ear.
Harbor lights. Ships made entirely out of extinct species of trees.

Harris Hayman is a poet and teaching artist living in Hell’s Kitchen, NYC. He has an MFA from NYU and some new poems forthcoming in the Mississippi Review.